The Stud goes a long way toward transcending the softcore sexpo genre, but ultimately doesn't quite make it. It's a shame because the producers have obviously tried hard to avoid low-budget seediness of routine skinflicks.
The Stud goes a long way toward transcending the softcore sexpo genre, but ultimately doesn’t quite make it. It’s a shame because the producers have obviously tried hard to avoid low-budget seediness of routine skinflicks. Read More...
George C. Wolfe’s The Colored Museum, an Off Broadway hit in 1986, was groundbreaking in the way a gravedigger is. Amid brilliant satirical confetti, it declared an end to a certain strain of black theater writing exemplified by a sketch he titled “The Last Mama-on-the-Couch Play,” taking off on the domestic piety of A Raisin in the Sun. Now the wittiest of the post-Wolfe provocateurs, Robert O’Hara, opens the season at Playwrights Horizons with the insanely entertaining Bootycandy, a play whose very title (a euphemism for penis that’s way more embarrassing than the word it replaces) would give Raisin’s Lena Younger palpitations. Read More...
If you are makeup obsessed like most of us here at GLAMOUR HQ, you will be very familiar with Benefit Cosmetics. The San Francisco-born brand that made a name for itself in the brow game, and also through that world-renowned Hoola Matte Bronzer and the uber popular Benetints and who can forget their mascara. From the ‘BadGal Bang’ to the ‘Roller Lash’ and of course the ‘They’re Real!’ collection, including those adorable pocket-friendly minis, Benefit have not fallen short from making their mascaras, makeup bag essentials. Read More...